The photographer Eli Lotar was a long-standing acquaintance of Giacometti’s; in his youth he worked for Georges Bataille’s journal ‘Documents’. In 1929, the very year in which Michel Leiris’s first ground-breaking article about Giacometti was published, so to were Lotar’s photographs from abattoirs.
Towards the end of 1963 he was a regular visitor to the studio; the three busts that Giacometti made of him in 1964–65 mark the conclusion of his life’s work (see GS 373 and GS 415).
- 25.8 x 28.3 x 14.9 cm
- Kunsthaus Zürich, Alberto Giacometti-Stiftung, Donated by Bruno and Odette Giacometti, 2002
- Object number
- GS 250
- Inscribed at the bottom of the left shoulder: 4/8 / Alberto Giacometti; on the rigtht shoulder: Susse fondeur Paris
- Further information
- Ex. 4/8
- ab 2002, Zürcher Kunstgesellschaft | Kunsthaus Zürich (Museum), Zürich, Leihgabe
- ab 2002, Alberto Giacometti-Stiftung (Sammlung), Zürich, Geschenk
- o.D. – 2002, Bruno und Odette Giacometti, Nachlass
- Alberto Giacometti (*1901 Borgonovo bei Stampa, +1966 Chur) (Künstler/-in)